A tongue-in-cheek take on the modern gold rush—printed as a distressed graphic on white Comfort Colors. Made from 100% ring-spun cotton, this heavyweight tee is soft, garment-dyed, and built to wear hard and age right, with a relaxed fit and durable stitching.
We don’t keep piles of these sitting in a warehouse. Each one’s made to order, so it takes a little longer. Call it slow fashion, call it common sense — either way, thanks for helping us dodge the overproduction trap.
The 1946 L. B. Cole classic, rebuilt in full flight. Contact Comics #12 — a mid-century burst of rockets, color, and optimism — printed in its atomic-age palette on a navy Comfort Colors heavyweight long sleeve.
Garment-dyed, soft from the start, and made to wear down like the real thing.
Each piece is printed on demand — no piles, no waste — just the right amount of color from the Cole spectrum.
A toast to terror. Lee Elias’s iconic Chamber of Chills #19 (1953) cover- printed as a distressed graphic on black Comfort Colors. Made from 100% ring-spun cotton, this heavyweight tee is soft, garment-dyed, and built to wear hard and age well, with a relaxed fit and durable stitching.
We don’t keep stacks of these sitting in a warehouse. Each shirt is made when you hit “order,” so it takes a little longer. Call it slow fashion, call it common sense — either way, thanks for helping us dodge the overproduction trap.
A pre-code classic, reprinted like it was never supposed to be. Fight Against Crime #20 (1954), the notorious decapitation cover — printed weathered and cracked on white Comfort Colors. Heavy cotton, slow-made, print-on-demand, no gloss.
Jetpack robots, ray guns, and a damsel in deep space distress — this wild cover from Out of This World #1 (1950) delivers peak Golden Age sci-fi chaos. Classic atomic pulp energy, sealed in wood and screaming retro future from every angle.
Printed in full color on 7-ply 100% Canadian maple. Whether you ride it or hang it, this one’s built to blast.
10.25" x 30"
Old school shape
Printed in the USA
Limited run — once it's gone, it's gone
From the cosmic pages of Planet Comics #2 (1940), this wild pulp classic features rocket ships, alien landscapes, and a purple space monster mid–freak-out. One of the earliest—and weirdest—entries in Golden Age sci-fi, now beamed straight onto 7-ply maple.
Printed in full color on 100% Canadian wood, it’s a trip worthy of the wall or the pavement.
10.25" x 30"
Old school shape
Printed in the USA
Limited run — not coming back from orbit once it's gone
One of the most infamous covers of the Golden Age — Phantom Lady #17 — censored, condemned, and now immortalized in maple. Matt Baker’s pulp-perfect artwork helped ignite the moral panic that birthed the Comics Code, and this board doesn’t pull a single punch.
Printed in full color on 7-ply 100% Canadian maple. Ride it. Hang it. Either way, it’s a piece of history with bite.
10.25" x 30"
Old school shape
Printed in the USA
Limited run — not coming back once it’s gone
TOMB OF TERROR #15 - OLD SCHOOL SKATEBOARD DECK
Harvey X Picto – This vibrant recreation of the Tomb of Terror #15 cover pays direct homage to the original, featuring an altered color scheme that brings a fresh twist to the classic horror artwork.
🔹 Dimensions: 10.25 x 30 inches – Standard wall hangers will display it beautifully.
🔹 Alternatively… This thing is made out of 7-ply, 100% Canadian maple – which means it can take a beating!
🔹 Printed in the Good Ole’ USA.
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