The Maj. Picto badge, front and center on a heavyweight garment-dyed tee — thick, structured, and somehow still soft enough to live in. Built for long days on the convention floor and longer nights digging through long boxes.
Available in black or white.
Long Live the Collector 🤘
The Maj. Picto badge, front and center on a heavyweight garment-dyed tee — thick, structured, and somehow still soft enough to live in. Built for long days on the convention floor and longer nights digging through long boxes.
Available in black or white.
Long Live the Collector 🤘
A tongue-in-cheek take on the modern gold rush—printed as a distressed graphic on white Comfort Colors. Made from 100% ring-spun cotton, this heavyweight tee is soft, garment-dyed, and built to wear hard and age right, with a relaxed fit and durable stitching.
We don’t keep piles of these sitting in a warehouse. Each one’s made to order, so it takes a little longer. Call it slow fashion, call it common sense — either way, thanks for helping us dodge the overproduction trap.
The 1946 L. B. Cole classic, rebuilt in full flight. Contact Comics #12 — a mid-century burst of rockets, color, and optimism — printed in its atomic-age palette on a navy Comfort Colors heavyweight long sleeve.
Garment-dyed, soft from the start, and made to wear down like the real thing.
Each piece is printed on demand — no piles, no waste — just the right amount of color from the Cole spectrum.
A toast to terror. Lee Elias’s iconic Chamber of Chills #19 (1953) cover- printed as a distressed graphic on black Comfort Colors. Made from 100% ring-spun cotton, this heavyweight tee is soft, garment-dyed, and built to wear hard and age well, with a relaxed fit and durable stitching.
We don’t keep stacks of these sitting in a warehouse. Each shirt is made when you hit “order,” so it takes a little longer. Call it slow fashion, call it common sense — either way, thanks for helping us dodge the overproduction trap.
A pre-code classic, reprinted like it was never supposed to be. Fight Against Crime #20 (1954), the notorious decapitation cover — printed weathered and cracked on white Comfort Colors. Heavy cotton, slow-made, print-on-demand, no gloss.
Jetpack robots, ray guns, and a damsel in deep space distress — this wild cover from Out of This World #1 (1950) delivers peak Golden Age sci-fi chaos. Classic atomic pulp energy, sealed in wood and screaming retro future from every angle.
Printed in full color on 7-ply 100% Canadian maple. Whether you ride it or hang it, this one’s built to blast.
10.25" x 30"
Old school shape
Printed in the USA
Limited run — once it's gone, it's gone
From the cosmic pages of Planet Comics #2 (1940), this wild pulp classic features rocket ships, alien landscapes, and a purple space monster mid–freak-out. One of the earliest—and weirdest—entries in Golden Age sci-fi, now beamed straight onto 7-ply maple.
Printed in full color on 100% Canadian wood, it’s a trip worthy of the wall or the pavement.
10.25" x 30"
Old school shape
Printed in the USA
Limited run — not coming back from orbit once it's gone
One of the most infamous covers of the Golden Age — Phantom Lady #17 — censored, condemned, and now immortalized in maple. Matt Baker’s pulp-perfect artwork helped ignite the moral panic that birthed the Comics Code, and this board doesn’t pull a single punch.
Printed in full color on 7-ply 100% Canadian maple. Ride it. Hang it. Either way, it’s a piece of history with bite.
10.25" x 30"
Old school shape
Printed in the USA
Limited run — not coming back once it’s gone
TOMB OF TERROR #15 - OLD SCHOOL SKATEBOARD DECK
Harvey X Picto – This vibrant recreation of the Tomb of Terror #15 cover pays direct homage to the original, featuring an altered color scheme that brings a fresh twist to the classic horror artwork.
🔹 Dimensions: 10.25 x 30 inches – Standard wall hangers will display it beautifully.
🔹 Alternatively… This thing is made out of 7-ply, 100% Canadian maple – which means it can take a beating!
🔹 Printed in the Good Ole’ USA.
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